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Beer Bacon Guns And Freedom Shirt, hoodie, tank top
Since then, high-level officials have publicly conceded their bewilderment about U.A.P. Without shame or apology. Last July, Senator Marco Rubio, the former acting chairman of the Select Committee on Intelligence, spoke on CBS News about mysterious flying objects in restricted airspace. “We don’t know what it is,” he said, “and it isn’t ours.” In December, in a video interview with the economist Tyler Cowen, the former C.I.A. Director John Brennan admitted, somewhat tortuously, that he didn’t quite know what to think: “Some of the phenomena we’re going to be seeing continues to be unexplained and might, in fact, be some type of phenomenon that is the result of something that we don’t yet understand and that could involve some type of activity that some might say constitutes a different form of life.”
Last summer, David Norquist, the Deputy Secretary of Defense, announced the formal existence of the Unidentified Aerial Phenomena Task Force. The 2021 Intelligence Authorization Act, signed this past December, stipulated that the government had a hundred and eighty days to gather and analyze data from disparate agencies. Its report is expected in June. In a recent interview with Fox News, John Ratcliffe, the former director of National Intelligence, emphasized that the issue was no longer to be taken lightly. “When we talk about sightings,” he said, “we are talking about objects that have been seen by Navy or Air Force pilots, or have been picked up by satellite imagery, that frankly engage in actions that are difficult to explain, movements that are hard to replicate, that we don’t have the technology for, or are travelling at speeds that exceed the sound barrier without a sonic boom.”
Leslie Kean is a self-possessed woman with a sensible demeanor and a nimbus of curly graying hair. She lives alone in a light-filled corner apartment near the northern extreme of Manhattan, where, on the wall behind her desk, there is a framed black-and-white image that looks like a sonogram of a Frisbee. The photograph was given to her, along with chain-of-custody documentation, by contacts in the Costa Rican government; in her estimation, it is the finest image of a U.F.O. Ever made public. The first time I visited, she wore a black blazer over a T-shirt advertising “The Phenomenon,” a documentary from 2020 with strikingly high production values in a genre known for grainy footage of dubious provenance. Kean is stubborn but unassuming, and she tends to speak of the impact of “the Times story,” and the new cycle of U.F.O. Attention it has inaugurated, as if she had not been its principal instigator. She told me, “When the New York Times story came out, there was this sense of ‘This is what the U.F.O. People have wanted forever.’ ”
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