The silence (though it lasted no more than a minute) became too intolerable to him. To break it, and to show he was not agitated, he made an effort and addressed Golenishtchev. I don’t have kids my cat is allergic shirt. “I think I’ve had the pleasure of meeting you,” he said, looking uneasily first at Anna, then at Vronsky, in fear of losing any shade of their expression. “To be sure! We met at Rossi’s, do you remember, at that soiree when that Italian lady recited–the new Rachel?” Golenishtchev answered easily, removing his eyes without the slightest regret from the picture and turning to the artist.
I don’t have kids my cat is allergic shirt
Noticing, however, that Mihailov was expecting a criticism of the picture, he said: I don’t have kids my cat is allergic shirt. “Your picture has got on a great deal since I saw it last time; and what strikes me particularly now, as it did then, is the figure of Pilate. One so knows the man: a good-natured, capital fellow, but an official through and through, who does not know what it is he’s doing. But I fancy…” All Mihailov’s mobile face beamed at once; his eyes sparkled. He tried to say something, but he could not speak for excitement, and pretended to be coughing. Low as was his opinion of Golenishtchev’s capacity for understanding art, trifling as was the true remark upon the fidelity of the expression of Pilate as an official, and offensive as might have seemed the utterance of so unimportant an observation while nothing was said of more serious points, Mihailov was in an ecstasy of delight at this observation. He had himself thought about Pilate’s figure just what Golenishtchev said.
The fact that this reflection was but one of millions of reflections, which as Mihailov knew for certain would be true, did not diminish for him the significance of Golenishtchev’s remark. His heart warmed to Golenishtchev for this remark, and from a state of depression he suddenly passed to ecstasy. At once the whole of his picture lived before him in all the indescribable complexity of everything living. Mihailov again tried to say that that was how he understood Pilate, but his lips quivered intractably, and he could not pronounce the words. Vronsky and Anna too said something in that subdued voice in which, partly to avoid hurting the artist’s feelings and partly to avoid saying out loud something silly–so easily said when talking of art–people usually speak at exhibitions of pictures. Mihailov fancied that the picture had made an impression on them too. He went up to them.