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in the depths of a bleak Covid winter, only a few of us had been feeling peng. With Zoom meetings and state-mandated daily walks our most effective variety of socialising, there became little to gown up for, and few opportunities for us to feel eye-catching.
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Then came a music that changed it all. Peng Black ladies – a track by the up-and-coming south London rapper Enny – became launched in October 2020, however due to a December remix, it snowballed into a viral sensation that served as an antidote to lockdown gloom. The lyrics and video, which exhibit her community in all its glory, are a love letter to Blackness, womanhood, and crucially pengness (a London slang note that essentially means “hotness”).
Enny, born Enitan Adepitan, connects with me over video from her motor vehicle, and straight begins breaking down the politics in her lyrics. When Black girls are so regularly both erased with the aid of the media, or held to inconceivable scrutiny when it comes to the manner we seem, on Peng Black girls, Adepitan calls out the proven fact that girls who aren’t Black are praised for embodying those same qualities: “need a fat booty like Kardashians? / No / desire a fats booty like my Aunty received, yo.”
an additional of the music’s overarching topics is our diversity: “dark epidermis, mild epidermis, medium tone / Permed tings, braids, bought minis afros / Thick lips received hips some of us don’t / big nostril contour some of us gained’t”. The reference to contouring – a make-up approach that enhances the appearance of points just like the nostril and cheekbones – feels peculiarly awesome, as it ties into wider conversations about elegance requisites within the Black group.
“That line’s dedicated to me, man!” Adepitan laughs cheekily. “I bear in mind when i used to be definitely young, someone informed me that I don’t have a bridge on my nose … i was searching in the replicate like: ‘Oh my God, I don’t have a bridge on my nose! I even have a really African nose!’ For a long time, that turned into like a stigma for me. So writing the track helped me simply get comfortable in my own epidermis, and my own insecurities.”
in addition to having a therapeutic impact for Adepitan, the track has seen the artist thrust into the limelight: she has been heralded as the way forward for rap via Vogue and GQ, while idea magazine called her “probably the most wonderful figures within the present UK track scene”, and, crucially, “someone you’d want to be friends with”. In the meantime, Peng Black girls has been shared via the likes of Skepta and summer Walker, with both the common and remix cumulatively collecting more than 12m views.
In Adepitan’s different movies – particularly, same ancient, which sees her marching throughout the streets of London and taking related to gentrification – she exudes self assurance, flipping her hair, staring down the lens and gesturing within the air with brightly manicured nails. It’s a unique facet to the Enny I meet today. As we talk, she every so often angles the telephone digicam to the roof of the vehicle, so most effective her forehead scrapes the bottom of the body, or appears out of the vehicle window. “I’m deffo shy,” she says.
“I wasn’t truly like the child that might play outdoor; i was always in my room,” she continues. “My dad taught me the way to play the keyboard … and so i would try this all of the time.” Her family unit’s tastes performed a key position in nurturing her pastime in track; Lauryn Hill and Stevie ask yourself in certain.
African Black Woman Bedding Set
Enny wears costume via Loewe, shoes by using Grenson, jewellery by Alighieri.
despite going to school and attempting different careers, Adepitan stored making track – and obtained noticed by way of native radio stations for a freestyle edition of her music He’s now not Into You. It’s what put her on the radar of Root 73, an artist-building programme run via individuals born and raised in Hackney, east London.
“I met Root 73 in 2019 via my now-manager” – Adepitan turns the digital camera to Pascal, who’s sitting nonchalantly in the driver’s seat, and cackles. “He brought me into Root, which was the studio he become figuring out of, and that they became household. They actually took me in, inserting me on stage and stuff like that early on, once I only had about three songs,” she says.
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